The 25-year story behind The Story that Matters Most

By Ash Brockwell

The song that evolved into ‘The Story that Matters Most’, which had its world premiere at St Mark’s, Hale, in December 2018, started life in Southampton a quarter of a century ago.  That makes me feel old!

At secondary school, I was well known as a poet, composing odes on everything from Bonfire Night to homelessness.  So when the music teacher, Duncan Bradley, decided that he was bored with teaching the choir the same old carols every year, and wanted to write some new ones, I was the student that he approached for help with the lyrics.  It was the early 1990s, and at the time, a lot of people were convinced that Jesus would return in the year 2000 – so several of the carols that we collaborated on, as well as a short poem that never made it into song form, had a bit of a millennial flavour,

This particular song, then called ‘Peace and Goodwill’, examined how, 2,000 years after the message of peace and goodwill came to earth in the shape of a child, there was still war and oppression. It ended with a call to action to bring that peace and the challenge ‘Could it begin with me and you?’

The original carol was performed two or three times in school carol services, before Mr Bradley retired and the choir went back to a more traditional repertoire.  A few years ago I tried to track down a copy in the hope of getting it arranged for a four-part choir – but to no avail and with more immediate concerns like work, money and parenting, I forgot all about the song.

Fast forward to November 2017, when I was figuring out how to admit – to myself, to my church, and to the world at large – that I wasn’t the straight cisgender woman I’d always assumed myself to be.  I’d tried coming out as a lesbian in 2011, and again in 2016 to a bigger audience, but the word never quite felt right to me.  After discovering the term ‘non-binary transgender’ (neither fully female nor fully male), I’d embraced it enthusiastically as my new label – at least to myself and a few close friends.  My conservative rural Baptist church was less than impressed with my declaration that I was a lesbian, coming out with some version of ‘well, gay sex is a sin so you’ll have to take a vow of lifelong chastity if you want to become a member’ – so I didn’t even try to go there with my newly discovered non-binary identity.  But then a friend of a friend introduced me to Inclusive Church, and I somehow found myself signing up for their free Faith Leaders’ Gathering in London.

At the gathering however I found myself freaking out with social anxiety and unable to say anything at all, other than my name (which I hated anyway).  I knew I couldn’t possibly fit in. My non-binary identity was difficult to explain, my theology felt much too ‘out there’ and heretical to be discussed in front of bona fide vicars, and I wasn’t even a proper faith leader.  Most people had a congregation of some sort, and wanted to talk about practical things like how to get them to participate in Pride marches:  I didn’t even lead a prayer group.  I couldn’t understand what I was meant to be doing there, or why the ‘calling’ to attend had felt so strong.

But then there was a labyrinth walk, and everything suddenly clicked into place.  After everyone had walked the labyrinth, the conversation took on a very different tone.  It wasn’t about the practicalities of Pride any more: it was a deep sense of love, commitment, and passion to do something that would make things better for the thousands of LGBT+ people hurt by the Church.  On the train home, I was inspired to write two brand new sets of inclusive Christian song lyrics.

That gathering was a new beginning for me, in amazing ways.  One of the other participants introduced me to a private Facebook group for LGBT+ Christians, in which I later met my wonderful fiancée.  After the group chats helped me accept that it isn’t ‘wrong’ or ‘sinful’ to dress in a masculine style and accept myself as non-female, I started describing myself as transmasculine – and eventually came to realise that I’m actually a transgender man.  Coming out as male, changing my name and switching to ‘he/him’ pronouns has helped me to feel much more comfortable and confident in myself, and to experience moments of joy that trans people refer to as ‘gender euphoria’ – that feeling of finally being seen for who you really are.  I’m now registered with the NHS Gender Identity Clinic in London, and hoping to have HRT and chest surgery in the future, although there’s still a long road ahead (the usual waiting time for a first appointment is 18-24 months).

Being in the group also inspired me to collect up all the Christian songs I’d written over time, both traditional ones and more controversial ones, and compile them into a book.  It was in the process of doing this that I remembered the carols I’d written as a teenager, and decided to update them for a post-millennial age; and after trying out some songs with a women’s group on the Isle of Wight and receiving the feedback that they were too difficult to learn, I came up with the idea of setting some of my lyrics to well-known hymn tunes.  I needed music that would be out of copyright, and of the old Victorian hymns, ‘Jerusalem’ has always been a favourite of mine.  And so ‘The Story That Matters Most’ was born, focusing not on war this time, but on the exclusivity and holier-than-thou attitude of so many churches – the ‘grief and fear still spread’ in Jesus’ name, especially among LGBT+ people!   I was sorry to miss the premiere because I was travelling overseas in December 2018, but I’m looking forward to hearing it sung in the future.

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